The Beaux’ Stratagem

“O sister, sister! if ever you marry, beware of a sullen, silent sot, one that’s always musing, but never thinks. There’s some diversion in a talking blockhead; and since a woman must wear chains, I would have the pleasure of hearing ’em rattle a little.”

written by George Farquhar

Cast: Esh Alladi, Samuel Barnett, Jamie Beamish, Pippa Bennett-Warner, Jane Booker, Cornelius Clarke, Susannah Fielding, Molly Gromadzki, John Hastings, Richard Henders, Lloyd Hutchinson, Chris Kelham, Nicholas Khan, Barbara Kirby, Ana-Maria Maskell, Amy Morgan, Pearce Quigley, Mark Rose, Chook Sibtain, Geoffrey Streatfeild, Timothy Watson

Directed by Simon Godwin

Broadcast live from the Natioal Theatre, 3rd September, 2015

Summary: The ‘Beaux’: Mr Aimwell and Mr Archer, two charming, dissolute young men who have blown their fortunes in giddy London. Shamed and debt-ridden, they flee to provincial Lichfield. Their ‘Stratagem’: to marry for money. Lodged at the local inn, posing as master and servant, they encounter a teeming variety of human obstacles: a crooked landlord, a fearsome highwayman, a fervent French Count, a maid on the make, a drunken husband, a furious butler, a natural healer and a strange, turbulent priest. But their greatest obstacle is love. When the Beaux meet their match in Dorinda and Mrs Sullen they are most at risk, for in love they might be truly discovered.

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Hamlet

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seen 29 August 2015, Barbican, London

directed by Lyndsey Turner

WARNING: there will be production spoilers!

O horrible, O horrible, most horrible!

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Three Days in the Country

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seen 28 August 2015, Lyttelton Theatre (National Theatre), London

by Patrick Marber; a version of Turgenev’s A Month in the Country

Day one of our mini theatre break saw us finally watch a play in the National Theatre instead of just watching it on the big screen or letting our credit cards smoke in their book shop as usual. After getting up at half past four in the morning to get the first flight to London, we appreciated the comfy seats in the Lyttelton a lot.

I have to admit having steered more or less clear of ‘the Russians’ after having had to inhale ten of the standards (think Brothers Karamazov and their ilk) within a week for my finals at school. There’s only so much tragedy I can take in such short time and with little exceptions, I don’t feel drawn to them when they are performed on stage. In this case, we were drawn in by the casting and early reviews and ended up more than happy with our decision.

Of course, this being a Russian play from the mid 1800s, there is more unrequited love than at your average One Direction concert, but it’s infinitely more fun. Continue reading

Othello

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Seen August 26 2015, Haydn English Cinema Vienna

Directed by Iqbal Khan

Firstly, apologies to my regular readers for the lack of new content recently. My day job made it impossible to find the time to write up a review of the last live broadcast, The Merchant of Venice. Not that there was much so say about it except for it relying too heavily on Patsy Ferran and Shylock being too smirkily knife-happy for my taste with no visible conflict, but festered rage and bitterness instead. Pity, this can be done so much better as proven by Graham Greene’s dignified Shylock in the other Stratford in 2007.

We went to London last weekend to see Three Days in the Country and Hamlet (yes, that one) however and I hope I can squeeze in a night at the theatre during a business trip to London in a few weeks, so there is new stuff coming up.

But now on to the next of the bard’s plays that can be problematic to stage nowadays: Othello. Let’s start with what we see first: Continue reading