The Adventures of Pericles

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Seen June24 2015, Tom Patterson Theatre, Stratford Ontario

Written by William Shakespeare

Directed by Scott Wentworth

Stratford’s pledge to perform Shakespeare‘s entire canon within the next decade gives the opportunity to (re)discover plays that are not often performed. Last year, King John was one of the biggest surprises for us, so we didn’t hestiate to get tickets for Pericles.

I have to admit not really knowing the play, but from what I read about the original text so far, there must have been a vast amount of editing necessary. The title character Pericles, a prince, has a knack for getting lost at sea and ending up in different kingdoms. The kings and princesses he encounters are brilliantly played by Wayne Best and Deborah Hay, who even ends up playing Pericles‘ daughter Marina.

Having the actors portray several characters was a clever play by director Scott Wentworth, who also added Diane (Marion Adler) instead of the Chorus as a link between the kingdoms and storylines. Unfortunately, some didn’t realise what was going on; the ladies in front of me in the line for the washrooms complained about the kings and their daughters looking too similar and thought, they should have cast actors that looked less alike. Whoopsie.

I thought the differences in the characters were well acted, so I wasn’t confused. Our friend who didn’t know about it beforehand said she needed a moment to realise after the first switch, but then it was all good. And she’d like to add that the incest storyline was disgusting. Which Pericles apparently thought as well, getting out of there as quickly as possible.

What the play itself may lack, direction and actors compensated for. It was a suspensful production that also made most with very little props and I’d like to give special kudos to Sean Arbuckle, who stepped in as the title character Pericles for Evan Buliung the evening we saw the play.

Of course the cast does play a role in choosing which plays to watch – along with the director – but in the end, the play’s the thing. When I read that the role of Pericles was to be played by Sean Arbuckle instead of Evan Buliung for the performance we went to, I wasn’t worried in the least. After all, who better to have adventures at sea than a former pirate king?

If I was a betting woman, I’d wager that several people in the audience didn’t even realise the actor playing Pericles wasn’t the guy hired to do so every night. It also highlights the wealth of good actors this company has. This wasn’t the first time we got to see an understudy shine in a title role in Stratford.

The only thing that irks me about it is that I’m always left wondering what the other actor would have done differently and cursing the fact that I can’t just come back later in the season to rewatch the play, but that’s what we call complaining on a high level.

If you want to see a Shakespeare play where you don’t think you know everything that is going to happen, go see The Adventures of Pericles.




Man of La Mancha

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Seen: September 3, Avon Theatre

Cast: Matt Alfano, Matthew Armet, Shane Carty, Stephen Cota, Paul Duncan, Harry Edison, Sean Alexander Hauk, Robin Hutton, Kayla James, Galen Johnson, Monique Lund, Ayrin Mackie, Chad McFadden, Marcus Nance, Cory O’Brien, Stephen Patterson, Kevin Ramessar, Kimberley Rampersad, Tom Rooney, Steve Ross, Jason Sermonia, Shawn Wright

Directed by Robert McQueen

My sister and I started going to the Stratford Festival (back then still the Shakespeare Festival of Canada) more than a decade ago when I was finally deemed old enough to rent a car with a European drivers license. We returned almost every year since (it is quite a distance from Vienna, so it doesn’t always work out) and are bringing a friend with us for the third time now. I’m starting to think the Festival is affiliated with the Borg – resistance is futile.

First up in this year’s edition of our annual-ish visit was Man of La Mancha starring Tom Rooney in the roles of Miguel de Cervantes and his creations Don Quixote/Alonso Quijana, Robin Hutton as Aldonza/Dulcinea and Steve Ross as Sancho Panza/Manservant.

For someone who doesn’t consider herself a big fan of musicals, I surely watch a lot of them at Stratford. That could be because they haven’t disappointed me yet. On the contrary, their stellar production of Jesus Christ Superstar a few years back garnered so much critical acclaim and attention, it went on to Broadway. I also couldn’t say when I had as much fun in a theatre as two years ago at the Pirates of Penzance.

Man of La Mancha didn’t disappoint either. Even before the actors arrived on stage, the stage setting was a sight to behold. It’s incredible what the set designers and carpenters at Stratford create every year.

The musical itself stands and falls with the lead and the always wonderful Tom Rooney carries it with grace, stage presence and a set of pipes I didn’t know he had, having seen him only in plays before. I had a serious case of goosebumps during The Impossible Dream and judging from the audience’s reaction, I wasn’t the only one. Rooney brings something different to author and showman Cervantes, the knight of the woeful countenance and the frail old man respectively.

Steve Ross was a delightful Sancho Panza, who knew when to dial back so he didn’t end up just the comic relief, but had some really touching moments too. Unfortunately, the same can’t be said for Robin Hutton. Her Aldonza was one-dimensionally angry at times, without any shades where there could have been some and had issues with some higher notes at the beginning, that she managed to hit just so, but she sounded unintentionally shrill in some parts. At least I hope that wasn’t planned, I’m not a fan of atonality and wouldn’t expect it in a musical that is not about Schönberg.

The supporting cast was great, unfortunately this musical isn’t written in a way that gives them ample time to shine. Having seen Marcus Nance in action before, I have to say he was grossly underused.

Our seats were on the balcony, and there was one big fight scene where I wondered if anyone had bothered to watch it from up there during rehearsals. It is however probably close to impossible to stage such a scene in a way that it looks like an actual fight from all angles, so I’m not griping about this too much.

All in all, it was a very entertaining evening that left the Avon Theatre’s patrons humming the way down the stairs and probably all the way back to their accomodations.

Steve Ross was a guest in Stratford Festival Review‘s podcast. If you want to hear about his journey so far, have a listen here